Sunday, October 3, 2010

Homework Assignment #4 (NEW) Due: Oct.18th



Illustration by Helme Heine from 'Na warte sagte Schwarte'
Homework for my Class: "Learn through research and example"
Two parts:
A)
Take your dummy book home and sketch out a very rough layout for the story I will give you! (*or if you already have a story thought out use your own story! But I suggest you try your hand at this one I give you first anyway! Then do your own later or do both) This means you will first have to break the story down into images you want to illustrate. Employ the various Camera angels. You are the director of your movie/book. Get a feel for pacing and variation in composition…
B)
a) From the 3 books you picked out of the library, pick one image where you really like the composition. Take one of the sketches you’ve made in your dummy book and improve it’s composition using this example of composition as inspiration! (like the 'composition cheat exercise' we did in class)
b) Develop two images from your dummy further. These will be your two final illustrations. (Use good paper! I don't want to see any flimsy printer paper please! Go to Opus and check out what they have. Stonehenge paper is a very versatile paper for example! Just buy a sheet or two to try it out.) 
c) Bring your storyboard dummy, and your finished illustrations to class along with the book you picked your illustration example from!

TEXT FOR YOU TO ILLUSTRATE:
Here is the text for you to illustrate into your 32 page book dummy we made in class. Again, if you have text of your own go with that instead if you wish. But before you start have a look at some of the picture books you've been looking at and see how much a ratio of text and images there is. In other words, make sure that your text is not TOO LONG! However, for those of you who are really interested in illustrating other people's work, I suggest you illustrate this text I'm giving you seeing as this is what you'll be doing usually... illustrating a story that is not by you.

I will not give you the name of the story and also change the name of the main character because I don't want you to be able to reference the original book, so as to not have it influence your work.
I changed the name to Bob, but please feel free to change the name to whatever pleases you. THIS IS THE ONLY THING YOU'RE ALLOWED TO CHANGE IN THE TEXT, everything else must be included as is in your dummy. But it's up to you how much text you put where on the pages. Pay attention to this as it is the layout and the pacing of the book that we discussed in class.

This is Bob the Rabbit. Bob is a busy rabbit. "Bob! Where are you?" calls his Momma Rabbit. "Do you know what time it is?" says Momma Rabbit. Bob says: Is it time to follow a passing ship? Or time to stand on top of the world? Or is it time to make friends with a giant?I know! It's time to win a race. Maybe it's time to grow a mustache? Or time to use my flower-picking machine? Maybe it's time to throw some mudcakes? I think it's time to be the first pirate on the moon. Or is it time to fly across the city? Or is it time to drive a submarine? " Oh, Bob, it's just naptime," says Momma Rabbit. "That's what I was saying," says Bob, as he crawls into bed. Then he closes his eyes to dream of all the things he wants to do...
...and he did.


Here is a passage I thought might be helpful for you when it comes to deciding what to illustrate out of your text (that I will post next for you). This is written by Quentin Blake and is found in page 57 of his excellent book 'Words and Pictures'.

" Work on a book (one for which I haven't written my own words, that is) begins when the typescript arrives from the publisher; and it begins with reading. In a sense I'm reading the story as if I were two people at the same time: a normal reader, who is relishing a good story for it's own sake; and an illustrator, who is on the look-out for good subjects to draw, good moments. I probably read the story several times to get to know it, and I make underlinings and notes in the margin so that I can easily find the bits I want to refer back to later. Most of my choices I make by what feels like instinct; but when I look back on them I can see that what the illustrations are doing is not always quite the same thing on each occasion. [sic]"


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